‘We fell like cosmic rain’: how the Mystery of the Bulgarian Voices became global stars
June 7, 2019Created by the communist regime to stave off anti-socialist feeling, the female choir was championed by 80s goths and worked with Kate Bush and Bobby McFerrin. With their first new album in 20 years, they explain their alien sound
Back in the mid-80s, a female choir from Bulgaria became an unlikely global sensation with a thrilling, other-worldly and ancient style that few outsiders could even begin to imitate. Le Mystre Des Voix Bulgares, as they were then known, won a Grammy and were partly responsible for the creation of a new genre world music as record company executives debated how their unique music (and that of newly popular African bands) should be displayed in record stores. Their admirers ranged from Kate Bush, who had them sing on three songs from her 1989 album The Sensual World, to David Bowie and his wife Iman, who chose one of their songs to replace Here Comes the Bride at their wedding.
And then there was Lisa Gerrard of experimental ambient duo Dead Can Dance, who had moved to London from Australia with Brendan Perry and signed to 4AD, the same indie label as Voix Bulgares. Gerrard says that the Bulgarian women changed her life at a time when music was all post-punk, towards Joy Division. I never really connected with that very dark and very depressed side of the work that Brendan connected with. I was ready to give up. But when I heard the Bulgarians, they were my saving grace because I just loved the pure joy and the pure light it just hits you straight in the belly. I dont know if Id have survived London as a singer if I had not come into contact with their work.
Now, more than 30 years later, she is singing with the latest line-up of the choir, re-branded as the more mundane The Mystery of the Bulgarian Voices. She appears on, and even co-wrote, some of the songs on their new album BooCheeMish, their first release in two decades; tonight, she makes her first UK appearance with the choir, at Londons Southbank Centre.
There will be 18 choir members on stage, aged from 24 to 71: the oldest, Elena Bozhkova, is the only one to have sung on those best-selling 4AD albums. She grew up in a little Bulgarian village and was taught to sing in the traditional style by her mother. In 1972, when she was at home and raising her children, she auditioned successfully for the State Television and Radio Female Voice Choir, which had been founded in 1952. In what was then communist Bulgaria, she was paid as a state employee, as part of the governments cultural strategy to stop any anti-socialist influences creeping into the countrys music scene, and instead to create a new progressive music influenced by Bulgarian folk styles. So the women didnt just sing traditional material, but elaborate and sophisticated modern choral compositions, often based on womens village songs.
The choir was recorded by a Swiss musicologist, Marcel Cellier, who included their songs on a 1975 album that he marketed as Le Mystre Des Voix Bulgares. Sales were not impressive, but more than a decade later Peter Murphy, the lead singer of goth legends Bauhaus, became fascinated by the album and persuaded 4AD to re-release it. Bozhkovas life would never be the same.
We were happy, but not proud, she says. We did not feel like stars, just like normal people. Still, the choir now found themselves at vast auditoriums in Los Angeles, or being told to sing barefoot in India or singing from the third floor overlooking a square in Turin, with the conductor down on the ground, as pictures of Monet or Picasso were projected over us and our voices fell like cosmic rain over the audience. As for their celebrity followers, Bush was friendly but Bozhkova was more excited by Bobby McFerrin: I was moved by him, she says.
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